In fact, I felt more of a relationship with the crowd. The live performances are technically impressive, but you never feel connected to your bandmates. I didn’t feel like part of the band I felt like a total stranger. So little context is given between sets – just some brief radio DJ banter and a few fake fan tweets – that when you’re just shunted from band to band every three songs there’s never any sense of camaraderie on stage. No, the problem is that I simply didn’t care about them. The problem with GH Live is not the overly cheesy vamping of the live-action bandmates around you, nor is it the way they dynamically chastise you when you flub a solo. This is the mode that drops you into the shoes of the guitarist in about a dozen different fictional bands across two music festivals, experiencing each three-song mini-set as a first-person shredder. Stage DiveMy enthusiasm for this exciting new era of Guitar Heroism took a temporary dip, however, once I hopped into the career mode, GH Live. Not only does this reconfigured button grouping keep your fretting hand rooted to the one spot, meaning your eyes never need to leave the screen, it just feels like a better approximation of actually playing the guitar - especially on the upper difficulty levels where the chord shapes and ascending and descending hammer-ons and pull-offs feel particularly analogous to the real thing. Yet at some point during my first late night it suddenly clicked, and now I feel like it would be a real step backwards to ever return to the old five-button design.
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